Saturday, 4 July 2009

More Website Updates


Over the last few days I have added pieces from Trinity Guildhall's jazz syllabus for clarinet, flute and saxophone, so there is a lot more jazz music available to order now.


At this time of year orders tend to drop off a bit, so that gives me more time to work on the website. I'm spending about 3 hours a day on it at present, 6 days a week. It's a work in constant progress, and a job that will never be finished!


I do rely on customers asking for obscure pieces - I like obscure music as I often end up being the only retailer selling it! Good for me and good for my customers. This week's new, hard to find piece is Adagio fur eine Spieluhr (Adagio for a Musical Clock) by Beethoven, for flute or oboe. It is imported from Eastern Europe only on demand, so there's a long wait, but it is very hard to find elsewhere.

Tuesday, 30 June 2009

Recorder Music

I have spent some time increasing the recorder section with the pieces required for the Trinity recorder exams. The ABRSM list will follow.

On the subject of the ABRSM exams, the new strings, brass and woodwind syllabus from 2010 will be published in August. I have received a list of all the pieces required (though not the syllabus itself) for all instruments so I will be adding the music over the next month.

Hope you're enjoying the fine weather, I certainly am! It's a bit of a struggle to sit at my computer some times...

Saturday, 13 June 2009

Organ and Guitar

This week I went to an organ and piano concert by Wayne Marshall and Jennifer Micalleff in Manchester. I've never heard organ and piano play together before, and it was really eye-opening. Some of the music was written for organ and piano, some for two pianos but arranged differently by Wayne Marshall. We also heard variation on Carmen for two pianos, an unpublished work by an American arranger whose name escapes me now. An unusual but very enjoyable evening.



With great timing, the same day I finished a big upgrade to the organ section of the website - most of the ABRSM exam pieces are now on the site.




I have also just completed the classical guitar section with the ABRSM exam pieces. Trinity also uses some of the same pieces, but I will add more Trinity music in a little while.

Friday, 5 June 2009

Harpsichord Music


This week I have added a lot of harpsichord music to the website, covering the vast majority of the pieces required for ABRSM exams grade 4-8. I will be working on this more over coming months. I had never heard a harpsichord played live until I was at University (studying music of course) and was blown away by the beauty of the instrument. I'm also a big fan of baroque music in general, so I find harpsichord music particularly satisfying.


Last week was half term week, so business was quiet and I took the opportunity to get a few days away, over a long weekend. I really enjoy running my own business but the downside to it is that I rarely get away - the last time was between Christmas and New Year. Being an internet retailer means that you work pretty much 7 days a week one way or another. Most orders come in overnight although there are other smaller peaks in the day, so I keep an eye on the website every evening. I really needed a break, having made an uncharacteristic mistake last week which emphasised my tiredness.


My car has been away for a couple of weeks as it was hit by a lorry - I wasn't in it at the time but watched the accident unfold. How a driver can fail to see a bright red car parked in the road is a mystery! There was obvious damage to one wing, but I noticed the back wheels seemed to be out of alignment with the front ones. When I pointed it out to the mechanic who came to collect my car, he clearly didn't believe me, an attitude common with male mechanics when speaking to a woman. He said "You know the back wheels stick out further than the front ones", like I was an idiot. So yesterday when they rang to tell me my car was ready, I asked about the wheels. "The back axle was bent, we had to replace it" was the answer. It's nice to be right!

Thursday, 28 May 2009

New to the Website


This week I have added more Trinity Guildhall publications to the website:



As always when adding new products, I don't keep them in stock straight away, but order on demand until I can assess stock levels required. Order time is 3-4 working days.

More books are due to be published in July: new violin exam pieces, guitar exam pieces, which I will add when they become available.

Wednesday, 20 May 2009

End of Year Sums

This week I have been concentrating on getting my accounts finished for 2008-9 so I can get everything off to my accountant.

While I bought an existing business, I spent huge amounts of time creating the website and improving what I can offer, so it is nice to see it paid off, with turnover doubling over the year.

So thanks to all of you who bought music last year, and special thanks to those of you who took the trouble to give me feedback on the service I provide.

Please remember that I do rely on you to add things to my list of available music - I can get pretty much anything within about a week, so do let me know if there is something you can't find and I will do my best for you.

Wednesday, 13 May 2009

Am I the Devil Incarnate?


Today I met a sales rep from one of the main music distribution groups.  He, along with others in the industry, is uncomfortable with internet retailers and clearly thinks that they are doing damage to music shops.

Now, I used to work in Human Resources and so I am used to being portrayed as the spawn of Satan - the HR department is usually the most despised in any company.  But the conversation set me thinking.  Is there any truth in this view?






So why are music shops closing down?  There are a few reasons in my view:
  • rents - in common with other retailers, the massive increase in rent over recent years has impacted on some music shops, often the ones set up more recently
  • over-reliance on selling instruments - the big profit margins on instruments and electronic equipment has led some to stock up on this instead of sheet music, but in a recession people simply don't buy instruments as frequently, leading to cashflow problems
  • poor selection and supply of sheet music (customer service) - people do buy sheet music regularly, especially parents with kids learning instruments, and this repeat business should be the bread and butter of a music shop - too often it is neglected
I don't include the internet as in this list as I don't think it is a direct cause.  I have always felt that a high street music shop with an existing brand and customers had a major advantage over someone like me, trying to build a business into UK wide internet retailer.  Yet I find, time and time again, that I keep more music in stock than most music shops with all the stock space they have.  On top of that, I have access to much more music which I don't keep in stock but order on demand.

This is a key issue in the debate of internet v high street retailers.  In the high street, you have to choose what to stock.  On the internet, you can post everything available - given the thousands of pieces of music out there, this is an advantage for the online retailer.  But it should be said that any music shop can do what I have done - create a website and add to it all the things they can't keep in stock.

There is also the change in shopping habits of the consumer.  Many of my new customers are parents whose child is just starting to learn an instrument.  These people turn naturally to the internet, they don't bother going shopping in the high street.  Others don't have the time or want to spend the money driving to a music shop which might not have the book anyway.  Like it or not, many people these days want to shop from home - I do, and I'm not alone.  When you can spend 15 minutes online and buy what you want, to have it turn up a few days later, why waste half a day at the weekend trying to find it in the high street?

A lot of retailers forget that there are many people in the UK who live in rural areas and who simply do not have access to a music shop.  Where are these people to go?  The internet is a saviour for those who live on Scottish islands, remote areas of Wales or the southwest of England where there are few large centres of population capable of supporting a music shop.

The sales rep said to me today that internet shopping makes it harder to market new music as people cannot see it and so decide whether to buy it.  My answers to that are:
  1. most books are bought by parents as ordered by teachers, so it is teachers who have to be persuaded - there are ways to do this (too long for this post!)
  2. publishers have to make PDF extracts of the music available to retailers for their websites so people can peruse them - this is starting but very slowly
Having said all that, I do think this is a genuine problem.  I have tried a "new" page with little success, and I need to give more thought to how to achieve this.  

So what is the threat to music shops from internet retailers?
  • loss of business due to heavy discounting (this applies mainly to instruments and accessories) as internet retailers have lower overheads
  • loss of business as people change their shopping habits towards more online purchases
While I think that the heavy discounting may reduce a little in the recession, unfortunately the lower overheads issue will remain.  It would be nice to think that landlords may get a little more realistic about rents, but...  As for the trend towards online shopping, nothing is going to change that and music shops have to adapt.

The key in all of this is customer service - every business has to build its customer base by providing what the customer wants and in such a way that the customer is incentivised to come back and spend more money.    Whether you're in the high street or online, this doesn't change.

Any business has to seek to be as efficient as it can be, and music shops are no exception.  The general consensus in the music business seems to be that the weaker players are being shaken out - those that survive will be the better ones.    Many music shops have expanded into areas such as music lessons and other ancillary services - we all have to find our own niche and there are plenty of opportunities to do just that, including using the internet.

I have a few niche areas: the instruments that other retailers cover poorly, e.g. bassoon, baritone, tenor horn, etc.; certain products that most others don't carry; low postage rates due to the fact I recycle packaging; and a pride in fast, high quality customer service.  Does that make me the devil?  Or have I just filled the gaps that I can see in the sheet music business?

Any music shop can create a website and increase their turnover by selling online as well as in the high street.  It does, however, require a different approach: I value the flexibility that trading online gives me, no 9 to 5 for me, but that means that I also write blog posts at 8pm, monitor my site in the evening when most transactions go through, and when prices change, spend my evenings trawling my site to update them.  I can't shut up shop at 5pm every day.

Maybe this is symptomatic of the real threat - moving away from the traditional way of doing things into a new world with a new technology.  I don't know - you decide.